Verloofde of broer? De paneuropese context van de Griekse Ballade van de dode broer
Abstract
In this article, the link between the romantic 18th century interest in folk-songs in England and Germany, the renewed interest in Homer as a singer of songs, and the fashion of Greek folk-songs in the 19th century is explicited. The close relationship between the Greek Ballad of the Dead Brother and the Lenore-ballad by Bürger, about a dead fiancé, is examined. It is suggested that the replacement of the fiance by the brother has important consequences asto the structure and the function of the song.
How to Cite:
De Boel, G., (1999) “Verloofde of broer? De paneuropese context van de Griekse Ballade van de dode broer”, Tetradio 8(1): 1, 9–25. doi: https://doi.org/10.21825/tetradio.91932
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