Milo Rau’s Orestes in Mosul (2019) revisited: De ‘nieuwe tragedie’ in een wereld van ‘globaal realisme’
- Freddy Decreus
Abstract
This contribution sketches a picture of the changed theatre practice of Milo Rau, artistic director of NTGent (2018-2023). The starting point is the notion of ‘global realism’ that determines the form and content of the new kind of tragedy he wants to develop. As part of his Trilogy of ancient myths, his 2019 Orestes in Mosul will then be discussed and interpreted from his most recent publications, ‘revisited’ in other words
How to Cite:
Decreus, F., (2022) “Milo Rau’s Orestes in Mosul (2019) revisited: De ‘nieuwe tragedie’ in een wereld van ‘globaal realisme’”, Tetradio 31(1): 4, 77–92. doi: https://doi.org/10.21825/tetradio.91595
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