Abstract
This article examines the complex relationship between popular music and society from a sociological perspective. Music acts as a powerful force for social cohesion by connecting people through shared rituals and collective experiences, but is also used as a boundary between social groups. At the same time, music counters the ‘disenchantment’ of modern rationalized society by promoting authenticity, self-expression, and imagination. I outline a research agenda for the sociological study of popular music, focusing on three core themes: inclusion, wellbeing, and resilience. Inclusion explores how inequalities, such as gender disparities, can be addressed in music production and consumption. Wellbeing investigates the mental and physical health of music professionals and listeners, with attention to intersectionality. Resilience analyzes the sector’s ability to respond to external stressors, like crises. By studying music as both an ecosystem and a social phenomenon, the research center aims to contribute to positive societal change through music.
Keywords
popmuziek, inclusie, welzijn, veerkracht
How to Cite
Berkers, P., (2025) “Wat muziek betekent: Industrie, samenleving, sociologie”, Tijdschrift Sociologie 6, 76-93. doi: https://doi.org/10.38139/ts.96236