@article{kzm 72079, author = {Liesbeth Plateau}, title = {Vies en Vlaams: de literaire contestatie uit de jaren zestig: Een analyse van het gestencilde tijdschrift daele (1966-1968)}, volume = {64}, year = {2010}, url = {https://openjournals.ugent.be/kzm/article/id/72079/}, issue = {0}, doi = {10.21825/kzm.v64i0.17466}, abstract = {<p>This contribution presents an introductory analysis of one of the key players of the socalled<br>“stenciled revolution” in Flanders in the nineteen sixties. Before concepts like<br>provo distressed the entire societal and cultural life in the Netherlands, certain phenomena<br>in Flanders anticipated to this. From 1963, small stenciled magazines shot up like<br>mushrooms in the Flemish literary field. Due to their aggressive stand against the literary<br>establishment, the critics quickly caught sight of them and engaged in an energetic<br>polemic. Because of their involvement in the literary polemics, the stenciled magazines<br>shortly determined the literary life to a high degree. However, partly due to their complex<br>history and short life span, a systematic investigation of this phenomenon has not yet been<br>conducted. Nevertheless, the underground- magazines of the “stenciled revolution” are in<br>various ways relevant to a renewed literary history, as they explore both the literary-critical<br>and the creative-literary boundaries of the traditional contrast between literature and<br>non-literature. In this article, I focus on one of the most creative-literary oriented of these<br>Flemish stenciled magazines, namely daele (1966-1968), to gain an insight into the identity<br>of the “stenciled revolution”.</p>}, month = {1}, pages = {117-128}, issn = {2736-2175}, publisher={Koninklijke Zuid-Nederlandse Maatschappij voor Taal- en Letterkunde en Geschiedenis}, journal = {Handelingen - Koninklijke Zuid-Nederlandse maatschappij voor taal- en letterkunde en geschiedenis} }